The Auctions Database of Ancient Arts from Africa, Asia, Oceania and the Americas.
Besanceuil, 14 March 2017
Jean-François Schmitt is an art-lover and collector. He is a Friend of the musée du Quai Branly – Jacques Chirac and a member of the Cercle Lévi-Strauss.
Anthony Meyer is a dealer, author, and specialist in Pacific and Eskimo ancient arts and traditional cultures. He manages the Meyer Gallery of Oceanic Arts in Paris and is one of the founders of the Bourgogne Tribal Show, along with Laurent Dodier, Bruno Frey, Jacques Lebrat and Bruno Mory.
For its second event, the Bourgogne Tribal Show will take place from 25th to 28th May, 2017. You both took part in the fair’s first event, one as a dealer, one as a collector. Could you share your experiences with us?
Jean-François Schmitt: My abiding memory of the first event is what a pleasure it was to see tribal art in less conventional settings. The atmosphere was very different from the other fairs, far more casual and convivial.
Its location in the Burgundy region was ideal too, [.../...]See more
Brussels, 20 January 2017
In Brussels this January, over four thousand years of art will be making their way to BRAFA. From archaeology to contemporary creation, this is not only a major European event, but a place to sound out the art market as a new year begins.
In January, after getting back from New Year’s Eve at Saint-Barthélemy, when nothing else seems to quite make the grade, not even a little omelette dotted with Alba white truffles, a quick dash to Brussels is just the thing! Why favour a Flemish destination, you might well ask? A yearning for the Belgian touch in the heart of winter? The timeless charm of the Place de Brouckère? Let’s put it this way: at the start of the year, the chicest rendezvous — one month after Art Basel on the coast of Florida in December, and shortly before the Armory Show in New York in March — is obviously BRAFA. Also known as the Brussels Art Fair, one of the oldest art and antiques fairs in the world. So much to say, the most stunning Brussels invention… just after the Délirium Café and its 3,000 beers.
**So let’s [.../...]See more
Geneva, 9 December 2016
Until 8 January 2017, the Musée d’Ethnographie de Genève is playing host to “Amazonia, The Shaman and the Mind of the Forest”. An ethnographic exhibition that can also be described as… a political act.
Amazonia remains a poor relative in the world of art exhibitions and ethnography. Preference goes to Pre-Columbian art, Mayan, Aztec or Incan cultures — all far more likely to get crowds through the doors. In recent years, exhibitions in Europe on Amazonia can be counted on the fingers of one hand — the British Museum in 2001, the Mona Bismarck Foundation in 2002 or the Grand Palais in 2005, to name the most important ones. “I want to stir things up, heuristically speaking,” exclaims Boris Wastiau, director of the Musée d’Ethnographie de Genève (MEG) and curator of the exhibition. “Amazonia, The Shaman and the Mind of the Forest” sets out to get things moving and offer reparation for an injustice.
What will we find at this exhibition in Geneva? An introduction to the region, which blends voices from the present day to those [.../...]See more
New York, 2 October 2016
The galleries participating in the inaugural TEFAF New York exhibition, to be held at the Park Avenue Armory from 21 to 26 October 2016, have been announced.
93 art, archeology, furniture and jewellery galleries will be gathered, among them Galerie Meyer - Oceanic & Eskimo Art, Galerie Jacques Germain and Galerie Didier Claes.
The selection committee was made up by four members of the TEFAF board of trustees as well as four US experts representing different fields of art. The committee’s recommendations were then validated and approved by the board of directors of TEFAF New York.
The fair’s scenography is in the hands of the Tom Postma Design firm. The Rijksmuseum in Amsterdam will be presenting a special exhibition at the event, and profits from the opening evening will go to the Society of Memorial Sloan Kettering Cancer Centre.
Paris, 27 September 2016
A Bakongo nail fetish, a Jivaro shrunken head, or a sculpture from Papua New Guinea… From “museum-quality” pieces to charming finds, Artkhade looks back to a crazy week: the Parcours des Mondes.
The tribal-arts market is fascinating. Less dangerous than operating a uranium mine in Gabon, more restful than Tintin’s adventures in Congo, it has experienced an unprecedented boom in the last fifteen years or so. The quest for “magic” objects from Africa, Oceania or the Americas draws dealers and collectors to Paris every year at the quirky Parcours des Mondes * in the Saint-Germain-des-Prés district. This eminently tribal rendezvous, a deliciously ritualistic ceremony, brings together the cream in international dealing every September. To give a literary comparison, one might say that the magic of the Parcours des Mondes is a bit like the shock inflicted by L’Afrique fantôme… it is just as enchanting as Michel Leiris’ book. The type of week that might set you into a trance until Christmas.
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Paris, 6 September 2016
On the occasion of the Parcours des Mondes fair, young collector Inti Ligabue draws up a portrait of one of the broadest Italian art collections, ranging from prehistory to modern paintings via tribal art. An inventory.
Inti Ligabue, thirty-five years old, was appointed honorary president of the 15th edition of the Parcours des Mondes fair. This year, the event is drawing to Paris 80 international galleries specialising in tribal and Asian arts, from 6 to 11 September. Inti is the son of Giancarlo Ligabue, who passed away in 2015, and who gained renown as an archaeologist, palaeontologist and collector, as well as a political figure and businessman at the head of Gruppo Ligabue, a hundred-year-old family business dealing in food freight and services, present on every continent. This eminent Italian public figure left behind an incomparable legacy, including an extraordinary art collection covering a few thousand years. To carry on this adventure, Inti Ligabue launched, in January 2016, [.../...]See more
London, 27 August 2016
Bryan Reeves has stood for a certain vision of tribal art and culture ever since he launched the Tribal Perspectives fair in 2007. Since then, the event has grown, changed its name and venue by moving into The Mall Galleries to become Tribal Art London. At the start of September, Art Media Agency with Artkhade went to London, winding through the fair’s alleys, to meet Bryan Reeves.
I like introducing Tribal Art London as a cultural fair. Our exhibitors cover all fields of tribal art around the globe, and we have a well-developed conference programme, offering debates in fields as wide as culture or ethnography — the aim being to increase understanding of tribal art without contenting ourselves with merely being a strictly commercial fair. Today, the fair is heading to its ninth birthday. When we started, we were no more than a small exhibition with three dealers — “Tribal Perspectives”. We gradually developed the fair, then moved to a fantastic spot, The Mall [.../...]See more
Paris, 24 May 2016
Julie Arnoux is executive director of the Friends Society of the Musée du Quai Branly. For twelve years, she has been in charge of this association that supports the museum’s development and renown. Alongside this role, she set up, three years ago, Delvoyeurs. This project, shared with three founding partners, aims to design and promote exhibitions, develop editorial projects, produce contemporary artistic works, and support cultural players in their development strategies. Art Media Agency met her also to discuss the organisation of the Bourgogne Tribal Show (from 26 to 29th May).
The Bourgogne Tribal Show comes from a fairly zany idea thought up by four dealers specialising in the so-called “primitive” arts: Laurent Dodier, Bruno Frey, Jacques Lebrat and Anthony Meyer. Their project was to set up a festive, convivial event in a different place. They discussed their [.../...]See more
Berlin, 8 April 2016
On 8 March 2016, the online sales platform Auctionata announced a Gross Merchandise Value of $90 million (€81 million) in 2015, in other words a 165 % leap marking its strengthened leadership in the online auction sector. The company envisages developing new sales formats and increasing broadcasting times for its auctions in 2016.
Auctionata, set up in Berlin in 2012, is based in Berlin, New York and London. The bulk of its turnover comes from Berlin (80%) while New York and London represent 20 % — the house is however strengthening its position in the United States. It ran 249 auctions in 2015. Its progress is attributed to the launch of new processes, allowing sales to be held from two or three different locations. Auctionata holds the online sale record for a 17th century porcelain vase sold for €875,000 ($951,000).
According to Alexander Zacke, chairman and founder of Auctionata: “With 200,000 customers from 199 countries and several distinct yet complementary livestream formats, [.../...]See more
Since the market crash in 2008, the term “bubble”, applied in an economic context, has become part of everyday vocabulary. The analogy of a market growing so big, like a bubble, filled with air only waiting to burst, is almost irresistibly charming. Economic bubbles happen all the time, all over the world.
The most discussed possible bubble in recent years has been the art market. Critics, ranging from economists, journalists to opinionated folk, claim that the art market is a bubble and that when it bursts, it will be ugly. Maybe this talk started exactly the same day the biggest bubble in almost a century started bursting: 15 September 2008. On this day, one of the biggest Wall Street firms, Lehmann Brothers, went bankrupt, signalling the real depth of the crisis the world was about to face. On the other side of the Atlantic, Sotheby’s held a one-man auction, with works from Damien Hirst only commissioned directly from the artist, raising £111 million. This is an almost unbelievable coincidence: one of the most controversial artists [.../...]See more