The Auctions Database of Ancient Arts from Africa, Asia, Oceania and the Americas.
Berlin, 8 April 2016
On 8 March 2016, the online sales platform Auctionata announced a Gross Merchandise Value of $90 million (€81 million) in 2015, in other words a 165 % leap marking its strengthened leadership in the online auction sector. The company envisages developing new sales formats and increasing broadcasting times for its auctions in 2016.
Auctionata, set up in Berlin in 2012, is based in Berlin, New York and London. The bulk of its turnover comes from Berlin (80%) while New York and London represent 20 % — the house is however strengthening its position in the United States. It ran 249 auctions in 2015. Its progress is attributed to the launch of new processes, allowing sales to be held from two or three different locations. Auctionata holds the online sale record for a 17th century porcelain vase sold for €875,000 ($951,000).
According to Alexander Zacke, chairman and founder of Auctionata: “With 200,000 customers from 199 countries and several distinct yet complementary livestream formats, [.../...]See more
Since the market crash in 2008, the term “bubble”, applied in an economic context, has become part of everyday vocabulary. The analogy of a market growing so big, like a bubble, filled with air only waiting to burst, is almost irresistibly charming. Economic bubbles happen all the time, all over the world.
The most discussed possible bubble in recent years has been the art market. Critics, ranging from economists, journalists to opinionated folk, claim that the art market is a bubble and that when it bursts, it will be ugly. Maybe this talk started exactly the same day the biggest bubble in almost a century started bursting: 15 September 2008. On this day, one of the biggest Wall Street firms, Lehmann Brothers, went bankrupt, signalling the real depth of the crisis the world was about to face. On the other side of the Atlantic, Sotheby’s held a one-man auction, with works from Damien Hirst only commissioned directly from the artist, raising £111 million. This is an almost unbelievable coincidence: one of the most controversial artists [.../...]See more
Paris, 18 March 2016
Christie’s has entrusted its African and Oceanic Art department in Europe to Bruno Claessens.
After growing up in Antwerp, Belgium, Bruno Claessens worked as a researcher into African art at Yale University’s Van Rijn Archives. Having published widely in the domain, he is preparing a new book, Baule Monkeys, to be published this year by Fonds Mercator. The work of Bruno Claessens is notably publicised by his blog on African arts.
Working between Paris and Brussels, Bruno Claessens will be collaborating with Susan Kloman, the department’s global director, and consultant Pierre Amrouche. His appointment is expected to inject new dynamism into the department while keeping up the fine sales results established in Paris. On the occasion of the TEFAF, the department is putting together an upper-end selection, to be placed on sale in New York on 12 May.
New York, 6 February 2016
The collection of Drs. Daniel and Marian Malcolm will be offered in a two-part sale series organised by Sotheby’s: first in New York, on 7 May 2016, then in Paris, on 22 June 2016. The entire collection comprises 24 works worth an estimated $10 million.
Gathered over almost fifty years since 1966, some works in the collection have been loaned to major museums such as the Metropolitan Museum of Art in New York, the Museum for African Art (formerly the Center for African Art), the National Museum for African Art, and the Smithsonian Institution in Washington D.C. The Malcolms also supported the acquisition funds of major institutions.
Jean Fritts, Sotheby’s worldwide head for African and Oceanic art, makes the following statement about the collection: “The collection of Daniel and Marian Malcolm represents a lifetime of true connoisseurship in the finest tradition of our field. They assembled a wide collection of the highest quality as [.../...]See more
Paris, 30 November 2015
Surveying the tribal art market from 2000 to 2015, a recently released Artkhade and Art Analytics report revealed exceptionally positive results for the category, documenting a growing trend towards multi-million-dollar auction sales and the increasing domination of the market by high-end works.
The study amassed a wide range of data to document tribal art’s growth as a sale category—though it still lags far behind the dominant Modern, Post-War, and Contemporary art segments of the market. Here, we have selected seven key figures from the report’s pages to explore what they tell us about the future of this “niche” market.
The tribal art market witnessed record sales in 2014, achieving €92.1 million from works sold at auction. Demonstrating the upward trajectory of the market, this result well surpassed the €52.8 million sold just one year previous, in 2013, never mind the €13.7 million of tribal art sold in 2001.
The year 2006 stands out [.../...]See more
Paris, 30 June 2015
The African and Oceanic art sale at Sotheby’s France that took place on 24 June 2015 amassed a sum of €11.1 million, exceeding its initial estimate of between €6.5 and €9.5 million. This event was also the auction house’s second best sale of arts in this field.
Four lots were sold for above €500,000, 14 for above €100,000, and two world records were broken. One of the masterpieces from the former Vérité collection, the Masque-double, Baulé, was sold for €5,411,000 although it was estimated to sell for between €2 million and €3 million. This made it the highest-selling lot of the auction and also broke the world record for a Baulé work such as the second highest price for a African mask. The second place was taken by a commemorative Akan head from Ghana, which was sold for €855,000, although its estimate was fixed between €200,000 and €300,000, establishing a new world record for a Akan work. The commemorative Fon Tchatchuang statue, Royaume de Batoufam, [.../...]See more
Paris, 10 June 2015
On 22 June 2015, the auction house Artcurial in Paris, France, is to organise a sale of Tribal art, including a piece from the former collection of French poet Paul Éluard.
Almost 70 rigorously selected works are to be offered for this sale. One of the objects offered is a remarkable baoulé mask, from the Ivory Coast, an asymmetrical Kpan headset, found in situ in around 1910. The fine features of the face are made spectacular by two horns on the forehead. This piece was conserved in a private French collection, and is estimated to sell for between €40,000 and €60,000. The highlighted lot of the sale is a Zandé-Nzakara harp from the Democratic Republic of the Congo, dating from before 1960, taken from the former collection of Éluard (estimated between €30,000 and €50,000). This previously unseen piece gives a glimpse into the richness of the collection of the French poet, and attests to his fascination for tribal art. The bevelled sound box is carefully covered in antelope skin, and boasts a delicate handle. The [.../...]See more
Paris, 8 June 2015
The Rubin Museum of Art has announced the appointment of Risha Lee as curator of exhibitions from 1 July 2015.
Currently the assistant curator of South and Southeast Asian art at the Minneapolis Institute of Arts, Lee is known for her research on the confluence of politics and art on the South Asian region. In her new role, Lee will lead a multifaceted creative team to develop a forthcoming series of exhibitions, as well as collaborating with the curatorial staff at the Rubin for other exhibition projects. Rubin Museum’s Executive Director, Patrick Sears said of Lee’s appointment: “Risha’s energy, expertise, and leadership will help shape the exhibition program at the Rubin, connecting new audiences to the Himalayan region—and beyond, including India and China […] Her extensive research on the cross-cultural exchange of art, people, and ideas integrates well with our mission, and we’re thrilled she is joining our team.”
During her two years at the MIA, Lee worked on several [.../...]See more
Paris, 27 May 2015
Christie’s has announced the appointment of Stanislas Gokelaere as European consultant within their African & Oceanic Art Department.
Based in Paris, Stanislas Gokelaere is to work with Susan Kloman, international director of the department and Pierre Amrouche, international consultant. His arrival should strengthen the department’s activity in Europe, boosting Parisian sales in particular. The growing demand for African and Oceanic art, both from collectors as well as enthusiasts of other art forms such as Impressionist, Modern, and contemporary art, provides a strategic growth opportunity for Christie’s. The auction house intends to meet this demand by organising two annual sales in Paris in June and December 2015.
Raised in a family of modern art dealers, Stanislas Gokelaere has been personally collecting African and Oceanic art for over 20 years. Christie’s new employee has also worked in the private equity field and co-founded and directed the Art Collection Fund, an art [.../...]See more
Luxembourg, 17 May 2015
Stanislas Gokelaere is a Luxembourg-based collector who started out in the world of capital-investment, and the co-founder of Art Collection Fund, an investment fund whose objective is to assemble a collection of high quality modern and contemporary art, in addition to African and Oceanic arts. The son of art dealers, and with a passion for art and 20th-century design, over the last 15 years Gokelaere has built a strong reputation in the art world. AMA had the opportunity to meet with him.
S. G.: These days, I would say the divide is a slightly different one. Galleries are also aiming at the higher end of the market in addition to the middle market. In the auction market we are, however, seeing many excellent collections up for sale, and plenty of very important sales. The auction [.../...]See more