The Auctions Database of Ancient Arts from Africa, Asia, Oceania and the Americas.
Paris, 6 September 2016
On the occasion of the Parcours des Mondes fair, young collector Inti Ligabue draws up a portrait of one of the broadest Italian art collections, ranging from prehistory to modern paintings via tribal art. An inventory.
*Inti Ligabue, thirty-five years old, was appointed honorary president of the 15th edition of the Parcours des Mondes fair. This year, the event is drawing to Paris 80 international galleries specialising in tribal and Asian arts, from 6 to 11 September. Inti is the son of Giancarlo Ligabue, who passed away in 2015, and who gained renown as an archaeologist, palaeontologist and collector, as well as a political figure and businessman at the head of Gruppo Ligabue, a hundred-year-old family business dealing in food freight and services, present on every continent. This eminent Italian public figure left behind an incomparable legacy, including an extraordinary art collection covering a few thousand years. To carry on this adventure, Inti Ligabue launched, in January [.../...]See more
London, 27 August 2016
Bryan Reeves has stood for a certain vision of tribal art and culture ever since he launched the Tribal Perspectives fair in 2007. Since then, the event has grown, changed its name and venue by moving into The Mall Galleries to become Tribal Art London. At the start of September, Art Media Agency with Artkhade went to London, winding through the fair’s alleys, to meet Bryan Reeves.
B. R.: I like introducing Tribal Art London as a cultural fair. Our exhibitors cover all fields of tribal art around the globe, and we have a well-developed conference programme, offering debates in fields as wide as culture or ethnography — the aim being to increase understanding of tribal art without contenting ourselves with merely being a strictly commercial fair. Today, the fair is heading to its ninth birthday. When we started, we were no more than a small exhibition with three dealers — “Tribal Perspectives”. We gradually developed the fair, then moved to a fantastic spot, [.../...]See more
Paris, 24 May 2016
Julie Arnoux is executive director of the Friends Society of the Musée du Quai Branly. For twelve years, she has been in charge of this association that supports the museum’s development and renown. Alongside this role, she set up, three years ago, Delvoyeurs. This project, shared with three founding partners, aims to design and promote exhibitions, develop editorial projects, produce contemporary artistic works, and support cultural players in their development strategies. Art Media Agency met her also to discuss the organisation of the Bourgogne Tribal Show (from 26 to 29th May).
J. A.: The Bourgogne Tribal Show comes from a fairly zany idea thought up by four dealers specialising in the so-called “primitive” arts: Laurent Dodier, Bruno Frey, Jacques Lebrat and Anthony Meyer. Their project was to set up a festive, convivial event in a different place. They [.../...]See more
Paris 25 June 2015
Hélène Bayou, chief curator of the Japanese department at the Musée Guimet in Paris, France, recently put together an exhibition entitled “Japan, Images of Actors: 18th-Century Kabuki Prints”, which has been running from 15 April until 6 July this year, organised in parallel with a similar exhibition at the same museum: “From Nô to Mata Hari, 2000 years of Asian theatre”, which is running until 31 August 2015. Art Media Agency had the pleasure of talking to the fascinating and knowledgeable curator.
How did you come up with the idea to put on the current exhibition of Kabuki prints? Two years ago, together with the director president of the Musée Guimet Sophie Makariou, we came up with a project for the Japanese prints kept at the Musée Guimet that the Japanese section could carry out. We have quite a rich collection of about 5,000 prints dating from the Edo to the Meiji period by both renowned and lesser-known artists, embodying the entire [.../...]See more
Luxembourg, 17 May 2015
Stanislas Gokelaere is a Luxembourg-based collector who started out in the world of capital-investment, and the co-founder of Art Collection Fund, an investment fund whose objective is to assemble a collection of high quality modern and contemporary art, in addition to African and Oceanic arts. The son of art dealers, and with a passion for art and 20th-century design, over the last 15 years Gokelaere has built a strong reputation in the art world. AMA had the opportunity to meet with him.
S. G.: These days, I would say the divide is a slightly different one. Galleries are also aiming at the higher end of the market in addition to the middle market. In the auction market we are, however, seeing many excellent collections up for sale, and plenty of very important sales. The auction [.../...]See more
Paris, 26 March 2015
A block of earthy colours tucked away in a corner of the Grand Palais, the booth of the Galerie Arts d’Australie is irresistibly welcoming: the gallerist Stéphane Jacob welcomes visitors there to discover contemporary Aboriginal art. AMA invites you to discover a relatively unknown but fascinating universe.
S. J.: Ever since it was founded in 1996, the gallery has specialised in Australian arts, with a particular focus on contemporary Aboriginal works and those from the isles of the Torres Strait. I founded it when I returned to Australia, with the wish to make collections directed towards museums as well as private collectors. I contributed particularly to making the collections of Aboriginal art in the Musée des Confluences in Lyon. As a gallery, we especially aim to teach our spectators whilst trying to have a maximum number of well-informed assistants present to reply to questions from both [.../...]See more
Maastricht, 17 March 2015
Organised by The European Fine Art Foundation, TEFAF (The European Fine Art Fair) is an annual art fair hosted at the MECC in Maastricht, Netherlands. First held in 1988, the fair attracts around 70,000 private collectors, museum curators, art market professionals, and art lovers annually and is considered one of world’s best and most important art fairs. The 28th edition, running from 13 until 22 March 2015, comprises 274 leading art and antiques dealers from around 20 countries, representing a wide range of disciplines spanning from Egyptian antiquities and African Tribal Art to contemporary East Asian Art. AMA got the chance to talk to Madelon Steijbos, head of Marketing and PR for TEFAF at this year’s must-see event.
Are you happy with how the fair is unfolding so far? Yes, so far so good! The vibe is extremely good at the fair; you can see lots of red and green dots in the different stands so it’s a promising start. Just by walking and looking around, you can see that the dealers and [.../...]See more
Paris, 2 March 2015
Self-proclaimed “painter, sculptor, performer, who is constantly anxious yet fascinated by being ‘there’ without any understanding…” Olivier de Sagazan is a philosophical artist who takes his inspiration from Africa, where he was born, staging performances of terrifying dances which reflect his constant preoccupation with the meaning of life. AMA spoke to him and delved into the worrying world of this astonishing artist.
O. S.: After my MA in biology, I had the chance to go to Cameroon for two years. These years really saved me, allowing me to take a step back and return to my roots: Africa, where I was born. Just before I left, I discovered, by looking at a Rembrandt painting, another amazing way of questioning life. Coming back, I spent a year locked up working on a comic strip, Ipsul ou la rupture du cercle, and then I immersed myself in painting and sculpture. Performance was something I worked on later, as a [.../...]See more
Brussels, 15 January 2014,
Winter Bruneaf (Brussels Non-European Art Fair), which takes place between 22 and 26 January, is to mark this edition with a new committee, elected on 10 October 2013, which includes Didier Claes as President, Marc Leo Felix as Secretary and Patrick Mestdagh as Vice-President and Treasurer. The first African art fair in Brussels, this is the sister edition of June’s original Bruneaf event. AMA with Artkhade met with the new president to discuss his ambitions for the fair.
D. C.: Bruneaf has existed for 24 years, and has always been directed by its founder, Pierre Loos. For 2014 we needed to renew the team and to breathe a bit of new life into the fair. To coincide with the event’s progression, certain things had to be changed, for example at senior level, and I think that any self-respecting fair deserves to have a committee of [.../...]See more
Paris, 6 September 2012
From 11 to 16 September 2012, the Parcours des Mondes, the most important international salon dedicated to tribal arts, will be celebrating its 11th edition in Paris. Galleries in the quartier des Beaux-arts in the area of Saint-Germain des Prés will welcome the 64 international exhibitors of this edition. In addition to France, they will represent nine countries and three continents. This year, the event will be chaired by Lionel Zinsou of the Zinsou Foundation, the first foundation specialised in Benin culture and art, and also chairman of PAI Partners and member of the board of directors of the Société des amis du Quai Branly.
It is largely thanks to Pierre Moos, director of the Parcours des Mondes, and to his team, that the look on tribal art, seen as “primitive art” for a long time, has deeply evolved. Artkhade with Art Media Agency was delighted to have the opportunity to interview Mister Moos about this exceptional event.