The Auctions Database of Ancient Arts from Africa, Asia, Oceania and the Americas.
Luanda, 22 August, 2015
Congolese collector Sindika Dokolo is launching a vast campaign to return works stolen in Africa during the colonial period.
To carry out this endeavor, the Sindika Dokolo Foundation in Louanda, Angola, has called upon a team of specialists to discover works that were pilfered during colonisation in private collections and auctions. Where applicable, the owner is asked to resell the work to the foundation at their purchase price or be sued for theft. In this regard, Sindika Dokolo told the New York Times: “There are works that disappeared from Africa and are now circulating on the world market based on obvious lies about how they got there.” This radical position has certainly stirred up opposition. Interviewed by Art Media Agency, Belgian tribal art dealer Pierre Loos expressed his reservations on the query, “Shouldn’t all the Picasso’s be in Spain? […] Returning to the logic of restitution is to open Pandora’s box. Those who profit are not art lovers, but those [.../...]See more
Paris 16 July 2015
Jérôme Bastianelli was appointed Managing Director of the Musée du Quai Branly in Paris, where he will take office beginning 13 July 2015.
Jérôme Bastianelli succeeds Mouttalib Karim, Deputy CEO of the Quai Branly Museum since 2009, this year named General Director of the Louvre Museum. He has occupied, since 2009, the functions of assistant Director General Deputy Delegate of the Quai Branly Museum, under Stéphane Martin’s presidency. Inaugurated in 2006, the museum of arts and civilizations of Africa, Asia, Oceania and the Americas, is one of the most visited museums in the world in its category, with around 1.5 million visitors a year.
A former student of the Ecole Polytechnique, Jérôme Bastianelli was posted in the Ministry of Transport from 1996 to 2006. He was also a reporter at the 7th Chamber of the Court of Auditors from 2006 to 2009, as well as the leader of the external audit United Nations Educational, Scientific and Cultural Organization (UNESCO).
Paris, 30 June 2015
The African and Oceanic art sale at Sotheby’s France that took place on 24 June 2015 amassed a sum of €11.1 million, exceeding its initial estimate of between €6.5 and €9.5 million. This event was also the auction house’s second best sale of arts in this field.
Four lots were sold for above €500,000, 14 for above €100,000, and two world records were broken. One of the masterpieces from the former Vérité collection, the Masque-double, Baulé, was sold for €5,411,000 although it was estimated to sell for between €2 million and €3 million. This made it the highest-selling lot of the auction and also broke the world record for a Baulé work such as the second highest price for a African mask. The second place was taken by a commemorative Akan head from Ghana, which was sold for €855,000, although its estimate was fixed between €200,000 and €300,000, establishing a new world record for a Akan work. The commemorative Fon Tchatchuang statue, Royaume de Batoufam, [.../...]See more
Paris, 10 June 2015
On 22 June 2015, the auction house Artcurial in Paris, France, is to organise a sale of Tribal art, including a piece from the former collection of French poet Paul Éluard.
Almost 70 rigorously selected works are to be offered for this sale. One of the objects offered is a remarkable baoulé mask, from the Ivory Coast, an asymmetrical Kpan headset, found in situ in around 1910. The fine features of the face are made spectacular by two horns on the forehead. This piece was conserved in a private French collection, and is estimated to sell for between €40,000 and €60,000. The highlighted lot of the sale is a Zandé-Nzakara harp from the Democratic Republic of the Congo, dating from before 1960, taken from the former collection of Éluard (estimated between €30,000 and €50,000). This previously unseen piece gives a glimpse into the richness of the collection of the French poet, and attests to his fascination for tribal art. The bevelled sound box is carefully covered in antelope skin, and boasts a delicate handle. The [.../...]See more
Brussels, 5 June 2015
From 10 until 14 June, Brussels’ Sablons district is to host three different fairs at the same time: BRUNEAF (Brussels Non European Art Fair), BAAF (Brussels Ancient Art Fair), and AAB (Asian Art in Brussels). Around 100 international arts and antiques dealers, some of whom are the most prominent in their field, are to be gathered in Brussels for the events during this period.
The oldest fair, BRUNEAF, is celebrating its 25th edition. This fair, dedicated to African, Indonesian, and Oceanian art, is to host two events: an exhibition which is to display the best pieces sold at the fair over the past 25 years, and another event with the guest of honour, the Sindika Dokolo Foundation, from Luanda in Africa.
For its 13th edition, BAAF, the fair dedicated to archeology (mainly from Egypt, Greece, Rome, the Middle East, and Europe), has decided to focus on quality and aesthetics. They are doing this through a partnership with the IADAA, the International Association of Dealers in Ancient Art, which [.../...]See more
Paris, 27 May 2015
Christie’s has announced the appointment of Stanislas Gokelaere as European consultant within their African & Oceanic Art Department.
Based in Paris, Stanislas Gokelaere is to work with Susan Kloman, international director of the department and Pierre Amrouche, international consultant. His arrival should strengthen the department’s activity in Europe, boosting Parisian sales in particular. The growing demand for African and Oceanic art, both from collectors as well as enthusiasts of other art forms such as Impressionist, Modern, and contemporary art, provides a strategic growth opportunity for Christie’s. The auction house intends to meet this demand by organising two annual sales in Paris in June and December 2015.
Raised in a family of modern art dealers, Stanislas Gokelaere has been personally collecting African and Oceanic art for over 20 years. Christie’s new employee has also worked in the private equity field and co-founded and directed the Art Collection Fund, an art [.../...]See more
Luxembourg, 17 May 2015
Stanislas Gokelaere is a Luxembourg-based collector who started out in the world of capital-investment, and the co-founder of Art Collection Fund, an investment fund whose objective is to assemble a collection of high quality modern and contemporary art, in addition to African and Oceanic arts. The son of art dealers, and with a passion for art and 20th-century design, over the last 15 years Gokelaere has built a strong reputation in the art world. AMA had the opportunity to meet with him.
S. G.: These days, I would say the divide is a slightly different one. Galleries are also aiming at the higher end of the market in addition to the middle market. In the auction market we are, however, seeing many excellent collections up for sale, and plenty of very important sales. The auction [.../...]See more
Paris, 15 May 2015
In 1920, many artists in Western Europe harboured a deep contempt for materialist bourgeois society and its arrogant faith in science and technology, a society which, since the First World War, the Dada movement had aimed to disturb with their provocative works. In 1920, however, new means of expression were being developed, and non-European objects had become increasingly common. More than 30 years prior to this, Gauguin had turned towards traditional Oceanian cultures to find the necessary resources for the new means of expression that he wanted to develop, starting by acquiring two Minkissi statuettes from the Congo, which he displayed at the Exposition Universelle de Paris in 1889. A little later, in the 1900s, Picasso became inspired by traditional Congolese art, particularly for his Demoiselles d’Avignon (1907). Unlike Western tradition, the so-called “primitive” artists attempted neither to reproduce nature, nor ideal beauty, offering an alternative to the Western tradition that was in crisis [.../...]See more
Paris, 9 April 2015
Following 2014’s successful inaugural edition, Paris Tribal will return 9 until 11 April 2015.
The fair reaffirms Paris as a dynamic centre for primitive arts, bringing together the most discernible collectors from across the world and includes over 20 participating galleries. Arts from Africa, the Americas, Asia, Indonesia and Oceania will be featured, collectively offering a wide range of artwork from the world over.
Galleries taking part in the fair include: Aethiopia, Galerie Bacquart, Galerie Alain Bovis, Galerie Olivier Castellano, Entwistle, Galerie Flak, Indian Heritage, Galerie Kanaga, Galerie Cédric Le Dauphin, Pascassio Manfredi, Galerie Meyer, Galerie Noir d’Ivoire, Lucas Ratton, Galerie Philippe Ratton, Galerie SAO, Galerie Pablo Touchaleaume, Galerie Renaud Vanuxem, Voyageurs & Curieux, Librairie Fischbacher, and Librairie Mazarine.
Maastricht, 17 March 2015
Organised by The European Fine Art Foundation, TEFAF (The European Fine Art Fair) is an annual art fair hosted at the MECC in Maastricht, Netherlands. First held in 1988, the fair attracts around 70,000 private collectors, museum curators, art market professionals, and art lovers annually and is considered one of world’s best and most important art fairs. The 28th edition, running from 13 until 22 March 2015, comprises 274 leading art and antiques dealers from around 20 countries, representing a wide range of disciplines spanning from Egyptian antiquities and African Tribal Art to contemporary East Asian Art. AMA got the chance to talk to Madelon Steijbos, head of Marketing and PR for TEFAF at this year’s must-see event.
Are you happy with how the fair is unfolding so far? Yes, so far so good! The vibe is extremely good at the fair; you can see lots of red and green dots in the different stands so it’s a promising start. Just by walking and looking around, you can see that the dealers and [.../...]See more