Interview with Didier Claes: the new Director of Bruneaf in Brussels

By Artkhade with Art Media Agency

Brussels, 15 January 2014,

Interview with Didier Claes: the new Director of Bruneaf in Brussels

Winter Bruneaf (Brussels Non-European Art Fair), which takes place between 22 and 26 January, is to mark this edition with a new committee, elected on 10 October 2013, which includes Didier Claes as President, Marc Leo Felix as Secretary and Patrick Mestdagh as Vice-President and Treasurer. The first African art fair in Brussels, this is the sister edition of June’s original Bruneaf event. AMA with Artkhade met with the new president to discuss his ambitions for the fair.

  • For this new edition of Bruneaf, there has been a certain element of renewal in the event’s management – why was this necessary?

D. C.: Bruneaf has existed for 24 years, and has always been directed by its founder, Pierre Loos. For 2014 we needed to renew the team and to breathe a bit of new life into the fair. To coincide with the event’s progression, certain things had to be changed, for example at senior level, and I think that any self-respecting fair deserves to have a committee of [.../...]

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Tags: Asian Art, Aboriginal Art, Oceanic Art, African Art, Fairs & Shows, Interviews


Interview with Pierre Moos

By Artkhade with Art Media Agency

Paris, 6 September 2012

Pierre Moos

From 11 to 16 September 2012, the Parcours des Mondes, the most important international salon dedicated to tribal arts, will be celebrating its 11th edition in Paris. Galleries in the quartier des Beaux-arts in the area of Saint-Germain des Prés will welcome the 64 international exhibitors of this edition. In addition to France, they will represent nine countries and three continents. This year, the event will be chaired by Lionel Zinsou of the Zinsou Foundation, the first foundation specialised in Benin culture and art, and also chairman of PAI Partners and member of the board of directors of the Société des amis du Quai Branly.

It is largely thanks to Pierre Moos, director of the Parcours des Mondes, and to his team, that the look on tribal art, seen as “primitive art” for a long time, has deeply evolved. Artkhade with Art Media Agency was delighted to have the opportunity to interview Mister Moos about this exceptional event.

  • **Where does your passion for tribal come from? What do you find fascinating in this [.../...]
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Tags: Aboriginal Art, Pre-Columbian Art, Native American Art, Oceanic Art, Asian Art, African Art, Fairs & Shows, Interviews


Parcours des mondes, interview with Bernard Dulon

By Artkhade with Art Media Agency

Paris, 9 September 2011

“Parcours

From 7 to 11 September, the most recent edition of Parcours des mondes is taking place in Saint–Germain–des–Prés in Paris. It is the biggest event dedicated to tribal art in the world. This year, 64 traders came from all over the world to exhibit exceptional collections that had been put together just for the occasion. Two days after its opening, Artkhade with Art Media Agency met with Bernard Dulon, one of the most recognised dealers in tribal art, to discover the event’s organisation and get feedback on how things are going since it opened.

  • How is the 2011 edition going so far?

Bernard Dulon: Yet again this year, the Parcours des mondes has been met with great success, with many visitors frequenting the fair. Regarding the business side of things, the enterprise generated is clear and we have already sold several items in the gallery and by telephone.

  • So you have already sold some works?

B. D.: Yes and no. The Parcours is obviously an occasion to talk about our [.../...]

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Tags: Asian Art, African Art, Oceanic Art, Native American Art, Pre-Columbian Art, Aboriginal Art, Exhibitions, Art Market, Interviews


Mathias Ary Jan or the art of reconquest

By Artkhade with Art Media Agency

Paris, 3 September 2017

He’s young and (very) dynamic. And he’s also at the head of the most exclusive event of the back-to-school period. His mission is to bring new life to the Biennale, the paragon of taste and vigour. An hour with Mathias Ary Jan.

The platform is international, the dialectic commercial. For its first edition (as a yearly event), La Biennale Paris shows a desire to leave old rivalries aside and to devote itself to new goals. Created under the sign of excellence, this twenty-ninth opus may well be the one that reconquers the public. This, in any case, is the priority of Mathias Ary Jan, a specialist in paintings from the end of the 19th century and the Orientalist school, now also president of the Syndicat National des Antiquaires. His strategy? Gathering around 5000 objects under the glass roof of the Grand Palais over eight days, according to new standards of rigour. A renewal, thus, for this upper-end rendezvous that remains the most chic event in the world of art. One where international collectors can (finally) get back on the track of big deals!

  • **Despite its new yearly rhythm, the Biennale is preserving its name. Isn’t that a little [.../...]
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Tags: Native American Art, Aboriginal Art, Pre-Columbian Art, Asian Art, Oceanic Art, African Art, Interviews, Fairs & Shows