The Auctions Database of Ancient Arts from Africa, Asia, Oceania and the Americas.
Brussels, 20 January 2020
No less than 356 objects or groups of works of art from Africa, the Pacific and the Americas will be offered for sale by the German auction house Lempertz on 29 January starting at 2 p.m. at its Brussels branch in Rue du Grand Cerf. Most of the pieces put up for sale come from prestigious collections of primitive art, and the great tutelary figures of the discipline, such as Philippe Guimiot, Charles Hug, Leo Stappers and Giovanni Battista Belzoni, will undoubtedly bring a guarantee of quality to this first session of the year at Lempertz.
Estimated between 15,000 and 20,000 euros, a Jaraï funerary statue (lot 356), collected by Guimiot in the early 1970s in Vietnam, is one of the leading figures of this sale, along with two totems brought back by the Belgian merchant from the islands of Babar and Leti (lots 354 and 355, estimated between 10,000 and 15,000 euros), located in the Indonesian archipelago of the Moluccas. “After returning from his stay in Africa, Philippe Guimiot made several trips to Southeast Asia, Indonesia, the Philippines, [.../...]See more
Brussels, 19 January 2020
For its first auction of the year, the Brussels auction house Native is offering, on 25 January, starting at 7 p.m., a selection of 97 primitive art, modern art and 20th-century design objects or groups of objecs, all in all a heterogeneous selection.
Among the pieces of tribal art on sale is a spectacular 38-centimetre high wooden mask from Songye (DRC), estimated by experts between 150,000 and 250,000 euros. “This mask represents a beautiful synthesis of the greatest artistic expressions of Central Africa: the sensual beauty of the Luba and the fascinating strength of the Songye, two tribes linked by common ancestors,” explains Nicolas Paszukiewicz and Sébastien Hauwaert, Native’s two executives who opened their auction house in 2011 in Brussels’ Sablon after working for German auction house Lempertz. “The combination of the two styles is typical of the border area between the two tribes.” This mask (lot 37), probably collected by a Belgian settler in the 1920s, belonged to Liège collector Paul Gilman, then to Brussels [.../...]See more
Brussels, 30 September 2019
Opened in 2011, at 5 rue Ruysbroeck, in the Sablon district of Brussels, by two former collaborators of the German company Lempertz, on 5 October at 6 pm the Native gallery and auction house organises its fourth auction session of the year (the second one to have been catalogued) dedicated to the arts of Africa, Oceania and the Americas.
Brought together from several private collections, 102 lots will be offered, including a Songye bust in horn, pins in brass, metal and various other materials, which, since the 1970s, has passed through the Pierre Dartevelle and Philippe Guimiot galleries, before its acquisition by a Belgian amateur, whose heirs wished to remain anonymous. This piece, estimated between 20,000 and 30,000 euros, could be part of a group of four sculptures with the same stylistic characteristics of the Second Tradition, according to François Neyt, author of the book Songye : Redoutable statuaire Songye d’Afrique centrale and specialist of the culture of Bantu people living in the south-east of the Democratic Republic of [.../...]See more
New York, 8 May 2019
Exhibited in New York since 2nd May, nearly 90 works of Pacific art from Harry A. Franklin’s collection will be auctioned at Sotheby’s on 13 May as part of the spring session organised by the American auction house.
A pioneer in the trade of arts from Africa and Oceania after a initial career in textiles, Harry A. Franklin established himself as a reference in the 1950s and 1960s and “converted” many collectors on the west coast of the United States to his cause. His gallery, located in Beverly Hills, was a privileged meeting place for anthropologists, art lovers, great travellers, politicians and film stars, such as Jacques Lipchitz, Nelson Rockefeller, John Huston, Frank Sinatra and Paul Newman.
After the death of the Californian merchant in 1983 (at age 79), a first auction, organised at Sotheby’s on the initiative of his daughter, Valérie Franklin-Nordin, made the headlines in April 1990, thanks in particular to the record sale, for $3.4 million, of a statue of Cameroon, known as “Queen Bangwa” [.../...]See more
Paris, 11 October 2018
On Tuesday, October 30, 2018 at 4pm, an exceptional tribal art sale will take place at Christie's in Paris. This one will bring together objects from Africa, Oceania and America. The session will open with 30 masterpieces from the Adolphe Stoclet collection (1871-1949). This Belgian banker and industrialist is famous for having entrusted the architect Josef Hoffmann with the construction of the Palais Stoclet (Brussels).
This private residence is emblematic of the avant-garde role played by the Viennese Workshop (Wiener Werkstätte) at the beginning of the 20th century. It was decorated by several renowned artists such as Gustav Klimt or Fernand Khnopff. Stoclet made his house a “complete work of art” by exhibiting objects of all styles and periods. He gave tribal art an essential place, arranging the thirty works for sale in his “African Salon”. Stoclet also owned objects from America, Asia, Greece or Italy… He was an important customer of art dealer Joseph Brummer (1883-1947).
Among the objects in the collection are several Congolese [.../...]See more
Paris, 15 September 2017
They’re the ones who murmur into the ears of collectors. Gallerists play a crucial role in the tribal-art economy. For this special issue, a number of them, each with their own specialities, have agreed to share their feelings on the sector. Confidences.
At auctions, the eclectic nature of the tribal-art market indicates sure growth in the long term, both in terms of the number of lots placed on sale and their proceeds, even if the last three years have seen heavy fluctuations, if not a slight decline. However, by overshadowing the reality of the world of dealers, auction results are only a partial indicator of the health of a sector characterised by deep restructuring. Between a generational shift among collectors, sourcing difficulties, and a complex balance between auction houses and dealers, what does the future hold?
Collectors: a new generation takes the reins? In the eyes of Alain Lecomte from the gallery Abla & Alain Lecomte, specialised in ancient African arts, there’s no doubt about it: the sector is in for a shakeup: “The [.../...]See more
Paris, 4 September 2017
Stratospheric-level auctions, overheated prices… The market for archaeological and tribal pieces is booming! We retrace the phenomenon of star status for these highly coveted objects. An issue that we examine by seeing what dealers, collectors and members of the scientific community have to say…
Ever since the start of the 2000s, the tribal-art market has literally exploded, with its turnover jumping up from €13.7 million in 2001 to €92.1 in 2014. Despite this strong growth, tribal art remains a marginal market, which represents only 0.68 % of the global turnover of art auction sales, in other words, 40 times less than the proportion occupied by modern art, according to a report published by Artkhade and Art Analytics in December 2015.
Largely in front, Africa and Oceania leave other geographical zones behind in the shadows. Between 2000 and 2014, these two continents represented 64.8 % of lots offered at auctions and 81 % of the sector’s total sales proceeds. Above all, the market’s growth has been accompanied by a [.../...]See more
London, 27 August 2016
Bryan Reeves has stood for a certain vision of tribal art and culture ever since he launched the Tribal Perspectives fair in 2007. Since then, the event has grown, changed its name and venue by moving into The Mall Galleries to become Tribal Art London. At the start of September, Art Media Agency with Artkhade went to London, winding through the fair’s alleys, to meet Bryan Reeves.
B. R.: I like introducing Tribal Art London as a cultural fair. Our exhibitors cover all fields of tribal art around the globe, and we have a well-developed conference programme, offering debates in fields as wide as culture or ethnography — the aim being to increase understanding of tribal art without contenting ourselves with merely being a strictly commercial fair. Today, the fair is heading to its ninth birthday. When we started, we were no more than a small exhibition with three dealers — “Tribal Perspectives”. We gradually developed the fair, then moved to a fantastic spot, [.../...]See more
Since the market crash in 2008, the term “bubble”, applied in an economic context, has become part of everyday vocabulary. The analogy of a market growing so big, like a bubble, filled with air only waiting to burst, is almost irresistibly charming. Economic bubbles happen all the time, all over the world.
The most discussed possible bubble in recent years has been the art market. Critics, ranging from economists, journalists to opinionated folk, claim that the art market is a bubble and that when it bursts, it will be ugly. Maybe this talk started exactly the same day the biggest bubble in almost a century started bursting: 15 September 2008. On this day, one of the biggest Wall Street firms, Lehmann Brothers, went bankrupt, signalling the real depth of the crisis the world was about to face. On the other side of the Atlantic, Sotheby’s held a one-man auction, with works from Damien Hirst only commissioned directly from the artist, raising £111 million. This is an almost unbelievable coincidence: one of the most controversial artists [.../...]See more
Paris, 30 November 2015
Surveying the tribal art market from 2000 to 2015, a recently released Artkhade and Art Analytics report revealed exceptionally positive results for the category, documenting a growing trend towards multi-million-dollar auction sales and the increasing domination of the market by high-end works.
The study amassed a wide range of data to document tribal art’s growth as a sale category—though it still lags far behind the dominant Modern, Post-War, and Contemporary art segments of the market. Here, we have selected seven key figures from the report’s pages to explore what they tell us about the future of this “niche” market.
The tribal art market witnessed record sales in 2014, achieving €92.1 million from works sold at auction. Demonstrating the upward trajectory of the market, this result well surpassed the €52.8 million sold just one year previous, in 2013, never mind the €13.7 million of tribal art sold in 2001.
The year 2006 stands out [.../...]See more