The Auctions Database of Ancient Arts from Africa, Asia, Oceania and the Americas.
London, 12 October 2015
From 14 to 18 October 2015, PAD London is hosting its art fair in Berkerley Square, London.
The London art fair presents 20th Century art, design and decorative arts. International galleries from across Europe, North America and Asia will come together to offer a panorama of works available on the market today. PAD characterises how modern art, photography, design, decorative and tribal arts interact to reveal unique combinations and create the most individual interiors. In this way, it is a different way of collecting. PAD promotes diversity, authenticity and connoisseurship with passion and skill. This year again, its 32 jurors who award the PAD Prize, sponsored by the wine and spirits group Bernard Arnault, Moët Hennessy. Three stands will be distinguished into three sections: decorative art of 20th century, contemporary and antique designs.
Its boutique setting is designed to inspire collectors, art consultants, museum experts, interiors specialists, design practitioners and the public alike, making PAD an [.../...]See more
Paris, 4 September 2015
Launched by a handful of Parisian dealers in 2001, the Parcours des mondes has, in less than fifteen years, succeeded in attracting the most important tribal art dealers from France and the rest of the world, and has re-established Paris as the center of the tribal art world.
Widely recognized as the most important international tribal art fair, in terms of the number of visitors it brings in, the quality of the works shown, the level of the exhibitions, the publications produced in association with it, and the diversity of its participants, Parcours des mondes celebrates its 14th anniversary this year from Tuesday September 8th through Sunday September 13th in the heart of Paris.
Some fifty dealers from Europe, the Americas, Asia, Australia and other parts of France join their colleagues with permanent galleries in the Beaux-Arts of SaintGermain-des-Prés.
Altogether 84 galleries with specialties in the arts of Africa, Asia, Oceania and the Americas will be represented.
London based dealer Gregg [.../...]See more
Paris 16 July 2015
Jérôme Bastianelli was appointed Managing Director of the Musée du Quai Branly in Paris, where he will take office beginning 13 July 2015.
Jérôme Bastianelli succeeds Mouttalib Karim, Deputy CEO of the Quai Branly Museum since 2009, this year named General Director of the Louvre Museum. He has occupied, since 2009, the functions of assistant Director General Deputy Delegate of the Quai Branly Museum, under Stéphane Martin’s presidency. Inaugurated in 2006, the museum of arts and civilizations of Africa, Asia, Oceania and the Americas, is one of the most visited museums in the world in its category, with around 1.5 million visitors a year.
A former student of the Ecole Polytechnique, Jérôme Bastianelli was posted in the Ministry of Transport from 1996 to 2006. He was also a reporter at the 7th Chamber of the Court of Auditors from 2006 to 2009, as well as the leader of the external audit United Nations Educational, Scientific and Cultural Organization (UNESCO).
Brussels, 5 June 2015
From 10 until 14 June, Brussels’ Sablons district is to host three different fairs at the same time: BRUNEAF (Brussels Non European Art Fair), BAAF (Brussels Ancient Art Fair), and AAB (Asian Art in Brussels). Around 100 international arts and antiques dealers, some of whom are the most prominent in their field, are to be gathered in Brussels for the events during this period.
The oldest fair, BRUNEAF, is celebrating its 25th edition. This fair, dedicated to African, Indonesian, and Oceanian art, is to host two events: an exhibition which is to display the best pieces sold at the fair over the past 25 years, and another event with the guest of honour, the Sindika Dokolo Foundation, from Luanda in Africa.
For its 13th edition, BAAF, the fair dedicated to archeology (mainly from Egypt, Greece, Rome, the Middle East, and Europe), has decided to focus on quality and aesthetics. They are doing this through a partnership with the IADAA, the International Association of Dealers in Ancient Art, which [.../...]See more
Quito, 20 May 2015
Daniel Klein and his wife Carmen are true fans of Art Primitif. They are the founders behind the Casa del Alabado, a Pre-Columbian art museum which aims to present to Ecuadorians an insight into their rich indigenous culture and their vast heritage. Art Media Agency had the opportunity to speak with Daniel Klein to find out more about his interest in Art Brut and how it occupies a new place in the art market.
What is your background, and how did you start collecting? That’s a good question. I am French by origin but I have lived in Ecuador for 30 years, where I began to collect Colombian Art with my wife. Around three years ago we opened a museum that specialises in Pre-Colombian art in the centre of Quito city. That was really our first love, yet we have been attracted to anything that resembles Art Informel, that which is unconcerned by commercial pressures. We have since collected African art, Australasian and American art; all that is Art Primitif or Art Populaire, and all that implies [.../...]See more
Paris, 15 May 2015
In 1920, many artists in Western Europe harboured a deep contempt for materialist bourgeois society and its arrogant faith in science and technology, a society which, since the First World War, the Dada movement had aimed to disturb with their provocative works. In 1920, however, new means of expression were being developed, and non-European objects had become increasingly common. More than 30 years prior to this, Gauguin had turned towards traditional Oceanian cultures to find the necessary resources for the new means of expression that he wanted to develop, starting by acquiring two Minkissi statuettes from the Congo, which he displayed at the Exposition Universelle de Paris in 1889. A little later, in the 1900s, Picasso became inspired by traditional Congolese art, particularly for his Demoiselles d’Avignon (1907). Unlike Western tradition, the so-called “primitive” artists attempted neither to reproduce nature, nor ideal beauty, offering an alternative to the Western tradition that was in crisis [.../...]See more
Paris, 9 April 2015
Following 2014’s successful inaugural edition, Paris Tribal will return 9 until 11 April 2015.
The fair reaffirms Paris as a dynamic centre for primitive arts, bringing together the most discernible collectors from across the world and includes over 20 participating galleries. Arts from Africa, the Americas, Asia, Indonesia and Oceania will be featured, collectively offering a wide range of artwork from the world over.
Galleries taking part in the fair include: Aethiopia, Galerie Bacquart, Galerie Alain Bovis, Galerie Olivier Castellano, Entwistle, Galerie Flak, Indian Heritage, Galerie Kanaga, Galerie Cédric Le Dauphin, Pascassio Manfredi, Galerie Meyer, Galerie Noir d’Ivoire, Lucas Ratton, Galerie Philippe Ratton, Galerie SAO, Galerie Pablo Touchaleaume, Galerie Renaud Vanuxem, Voyageurs & Curieux, Librairie Fischbacher, and Librairie Mazarine.
Maastricht, 17 March 2015
Organised by The European Fine Art Foundation, TEFAF (The European Fine Art Fair) is an annual art fair hosted at the MECC in Maastricht, Netherlands. First held in 1988, the fair attracts around 70,000 private collectors, museum curators, art market professionals, and art lovers annually and is considered one of world’s best and most important art fairs. The 28th edition, running from 13 until 22 March 2015, comprises 274 leading art and antiques dealers from around 20 countries, representing a wide range of disciplines spanning from Egyptian antiquities and African Tribal Art to contemporary East Asian Art. AMA got the chance to talk to Madelon Steijbos, head of Marketing and PR for TEFAF at this year’s must-see event.
Are you happy with how the fair is unfolding so far? Yes, so far so good! The vibe is extremely good at the fair; you can see lots of red and green dots in the different stands so it’s a promising start. Just by walking and looking around, you can see that the dealers and [.../...]See more
Paris, 2 March 2015
Self-proclaimed “painter, sculptor, performer, who is constantly anxious yet fascinated by being ‘there’ without any understanding…” Olivier de Sagazan is a philosophical artist who takes his inspiration from Africa, where he was born, staging performances of terrifying dances which reflect his constant preoccupation with the meaning of life. AMA spoke to him and delved into the worrying world of this astonishing artist.
O. S.: After my MA in biology, I had the chance to go to Cameroon for two years. These years really saved me, allowing me to take a step back and return to my roots: Africa, where I was born. Just before I left, I discovered, by looking at a Rembrandt painting, another amazing way of questioning life. Coming back, I spent a year locked up working on a comic strip, Ipsul ou la rupture du cercle, and then I immersed myself in painting and sculpture. Performance was something I worked on later, as a [.../...]See more
San Francisco, 5 February 2015