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Art Précolombien / Interviews / Livres / Marché de l’Art / Salons & Foires
At Schoffel de Fabry Gallery, primitive arts also have Asian tones
Paris, 18 January 2020 Passion for primitive arts is eminently contagious. In the Schoffel family, we know something of it.
3 questions for Federica Morbelli, organiser of Parcours des Mondes
Paris, 8 September 2018 What strategy are you implementing for Parcours des Mondes? With sixteen editions behind it,
4 questions for Pierre Moos, director of Parcours des Mondes
Paris, 7 September 2018 Do you think that the fair, celebrating its 17th birthday this year, has reached maturity? Are you still seeking to enrich
Respecting the Balance
Brussels, 23 January 2018 Like most collectors flocking to BRAFA, Harold t’Kint de Roodenbeke likes the month of January.
Alex Arthur, Tribal Art and its market
Paris, 13 September 2017 What are the evolutions and limitations of the tribal-art market? How is it nurtured by the contributions of research and
4 Questions for Pierre Moos
Paris, 12 September 2017 -You have directed Parcours des Mondes since 2007. How do you view the evolution of the fair and of the tribal-art
3 questions for… Alain de Monbrison
Paris, 3 September 2017 * What, in your opinion, is the main asset of the Barbier-Mueller collection? A.d.M.: First of all,
Sophie Makariou: a “new impetus” for Guimet
Paris, 1st September 2017 Sophie Makariou, president of the Musée National des Arts Asiatiques, takes the mike.
Bourgogne Tribal Show, the Quai Branly and the tribal art market with Julie Arnoux
Paris, 24 May 2016 Julie Arnoux is executive director of the Friends Society of the Musée du Quai Branly.
An interview with Hélène Bayou, chief curator of the Japanese department at the Musée Guimet
Paris 25 June 2015 Hélène Bayou, chief curator of the Japanese department at the Musée Guimet in Paris, France,
TEFAF 2015: an interview with Madelon Strijbos
Maastricht, 17 March 2015 Organised by The European Fine Art Foundation, TEFAF (The European Fine Art Fair) is an annual art fair hosted at the
A journey to the edge of anxiety: an interview with Olivier de Sagazan
Paris, 2 March 2015 Self-proclaimed “painter, sculptor, performer, who is constantly anxious yet fascinated by being ‘there’ without any
Interview with Didier Claes: the new Director of Bruneaf in Brussels
Brussels, 15 January 2014, Winter Bruneaf (Brussels Non-European Art Fair), which takes place between 22 and 26 January,
Interview with Pierre Moos
Paris, 6 September 2012 From 11 to 16 September 2012, the Parcours des Mondes, the most important international salon dedicated to tribal arts,
Parcours des mondes, interview with Bernard Dulon
Paris, 9 September 2011 https://ak-articles.fra1.digitaloceanspaces.com/_/10/FNL5f00t-lg.jpg" alt=“Parcours des mondes,
Tribal Art, Adrian Schlag Style
Paris 3 September 2019 With over twenty years experience in African and Oceanian tribal art, Adrian Schlag now divides his time between Brussels ;
Flak Gallery in alignment with the stars
Paris, 7 May 2019 Julien Flak Opened in 1990 at 8 rue des Beaux-Arts in Paris, Flak Gallery has become one of the major Parisian players in the
Laurent Granier: A restrained collector
Saint-Pol-de-Léon, 17 April 2019 Photo Vincent Girier Dufournier I got to know you on twitter, at the time you were posting intensively
THE COLLECTIVE: The Grace Collection of African Art – From Pain to Passion
Brussels, 16 May 2018 Collectors and art lovers populate the world of ancient African, Oceanic and American arts.
THE COLLECTIVE: Alexandre Logé, an unflagging hunter
Paris, 28 November 2017 Collectors and art lovers populate the world of ancient African, Oceanic and American arts.
The Fondation Dapper opts for nomadism
Paris, 20 November 2017 The announcement of the Musée Dapper’s closure in May this year came as sad news.
THE COLLECTIVE: Olivier Salandini, instinctive yet rational
Paris, 6 octobre 2017 The world of Ancient Arts from Africa, Oceania and America is populated by collectors and enthusiasts.
3 questions for… Didier Claes
Brussels, 4 September 2017 * How do you explain the growing interest in African art? D.C.: The market has evolved considerably in the last decade.
3 questions for Stephane Jacob
What’s the dynamic of the Aboriginal art market in 2018? 2018 is proving to be an excellent year for Aboriginal art,
An interview with Stéphane Jacob from Galerie Arts d’Australie
Paris, 26 March 2015 A block of earthy colours tucked away in a corner of the Grand Palais, the booth of the Galerie Arts d’Australie is