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At Schoffel de Fabry Gallery, primitive arts also have Asian tones

Paris, 18 January 2020 Passion for primitive arts is eminently contagious. In the Schoffel family, we know something of it.

Tribal Art, Adrian Schlag Style

Paris 3 September 2019 With over twenty years experience in African and Oceanian tribal art, Adrian Schlag now divides his time between Brussels ;

Flak Gallery in alignment with the stars

Paris, 7 May 2019 Julien Flak Opened in 1990 at 8 rue des Beaux-Arts in Paris, Flak Gallery has become one of the major Parisian players in the

Laurent Granier: A restrained collector

Saint-Pol-de-Léon, 17 April 2019 Photo Vincent Girier Dufournier I got to know you on twitter, at the time you were posting intensively

3 questions for Federica Morbelli, organiser of Parcours des Mondes

Paris, 8 September 2018 What strategy are you implementing for Parcours des Mondes? With sixteen editions behind it,

4 questions for Pierre Moos, director of Parcours des Mondes

Paris, 7 September 2018 Do you think that the fair, celebrating its 17th birthday this year, has reached maturity? Are you still seeking to enrich

THE COLLECTIVE: The Grace Collection of African Art – From Pain to Passion

Brussels, 16 May 2018 Collectors and art lovers populate the world of ancient African, Oceanic and American arts.

Respecting the Balance

Brussels, 23 January 2018 Like most collectors flocking to BRAFA, Harold t’Kint de Roodenbeke likes the month of January.

THE COLLECTIVE: Alexandre Logé, an unflagging hunter

Paris, 28 November 2017 Collectors and art lovers populate the world of ancient African, Oceanic and American arts.

The Fondation Dapper opts for nomadism

Paris, 20 November 2017 The announcement of the Musée Dapper’s closure in May this year came as sad news.

THE COLLECTIVE: Olivier Salandini, instinctive yet rational

Paris, 6 octobre 2017 The world of Ancient Arts from Africa, Oceania and America is populated by collectors and enthusiasts.

Alex Arthur, Tribal Art and its market

Paris, 13 September 2017 What are the evolutions and limitations of the tribal-art market? How is it nurtured by the contributions of research and

4 Questions for Pierre Moos

Paris, 12 September 2017 -You have directed Parcours des Mondes since 2007. How do you view the evolution of the fair and of the tribal-art

3 questions for… Didier Claes

Brussels, 4 September 2017 * How do you explain the growing interest in African art? D.C.: The market has evolved considerably in the last decade.

3 questions for… Alain de Monbrison

Paris, 3 September 2017 * What, in your opinion, is the main asset of the Barbier-Mueller collection? A.d.M.: First of all,

Bourgogne Tribal Show, the Quai Branly and the tribal art market with Julie Arnoux

Paris, 24 May 2016 Julie Arnoux is executive director of the Friends Society of the Musée du Quai Branly.

TEFAF 2015: an interview with Madelon Strijbos

Maastricht, 17 March 2015 Organised by The European Fine Art Foundation, TEFAF (The European Fine Art Fair) is an annual art fair hosted at the

A journey to the edge of anxiety: an interview with Olivier de Sagazan

Paris, 2 March 2015 Self-proclaimed “painter, sculptor, performer, who is constantly anxious yet fascinated by being ‘there’ without any

Interview with Didier Claes: the new Director of Bruneaf in Brussels

Brussels, 15 January 2014, Winter Bruneaf (Brussels Non-European Art Fair), which takes place between 22 and 26 January,

Interview with Pierre Moos

Paris, 6 September 2012 From 11 to 16 September 2012, the Parcours des Mondes, the most important international salon dedicated to tribal arts,

Parcours des mondes, interview with Bernard Dulon

Paris, 9 September 2011 https://ak-articles.fra1.digitaloceanspaces.com/_/10/FNL5f00t-lg.jpg" alt=“Parcours des mondes,

Michael Hamson, invitation to the voyage

Palos Verdes, 12 February 2020 He combines the passion of a collector with the rigour of an ethnologist.

3 questions for Stephane Jacob

What’s the dynamic of the Aboriginal art market in 2018? 2018 is proving to be an excellent year for Aboriginal art,