
Paris, 8 September 2018 What strategy are you implementing for Parcours des Mondes? With sixteen editions behind it,

Paris, 7 September 2018 Do you think that the fair, celebrating its 17th birthday this year, has reached maturity? Are you still seeking to enrich

What’s the dynamic of the Aboriginal art market in 2018? 2018 is proving to be an excellent year for Aboriginal art,

Brussels, 23 January 2018 Like most collectors flocking to BRAFA, Harold t’Kint de Roodenbeke likes the month of January.

Paris, 13 September 2017 What are the evolutions and limitations of the tribal-art market? How is it nurtured by the contributions of research and

Paris, 12 September 2017 -You have directed Parcours des Mondes since 2007. How do you view the evolution of the fair and of the tribal-art

Paris, 24 May 2016 Julie Arnoux is executive director of the Friends Society of the Musée du Quai Branly.

Paris, 26 March 2015 A block of earthy colours tucked away in a corner of the Grand Palais, the booth of the Galerie Arts d’Australie is

Maastricht, 17 March 2015 Organised by The European Fine Art Foundation, TEFAF (The European Fine Art Fair) is an annual art fair hosted at the

Paris, 2 March 2015 Self-proclaimed “painter, sculptor, performer, who is constantly anxious yet fascinated by being ‘there’ without any

Brussels, 15 January 2014, Winter Bruneaf (Brussels Non-European Art Fair), which takes place between 22 and 26 January,

Paris, 6 September 2012 From 11 to 16 September 2012, the Parcours des Mondes, the most important international salon dedicated to tribal arts,
Paris, 9 September 2011 https://ak-articles.fra1.digitaloceanspaces.com/_/10/FNL5f00t-lg.jpg" alt=“Parcours des mondes,