The Auctions Database of Ancient Arts from Africa, Asia, Oceania and the Americas.
Paris, 3 September 2017
A new formula for a historic fair. This year, La Biennale Paris is engaging in a rebirth that remains highly respectful of tradition. See it for yourself at the Grand Palais, until 17 September. The planet’s most elegant fair, riding on its heritage, opens up to new horizons.
“Confidence, confidence, confidence!” This could be – if one were needed – the motto of this 29th edition of the Biennale, formerly known as the Biennale des Antiquaires, currently on at the Grand Palais until 17 September… And it’s not Christopher “Kip” Forbes, chairman of this new opus, who will say the contrary. “La Biennale Paris is the most important fair in its field in France, and one of the most important in the world,” claims the American billionaire who, this year, succeds Henri Loyrette, former president of the Louvre. “I’ll try to keep up the level of excellence established by my eminent predecessors and I hope to contribute to making this edition of the Biennale the most brilliant one to ever exist.” The stakes have been set… Will [.../...]See more
Paris, 1st September 2017
Sophie Makariou, president of the Musée National des Arts Asiatiques, takes the mike. An hour on cultural policy, the transmission of knowledge, redeployment of the collections. Between heritage and contemporaneousness…
Her itinerary is impeccable, her character resilient… Studies in classical Arabic at Langues’O, followed by the École du Louvre, a postgraduate diploma in history, then the École du Patrimoine… Sophie Makariou is a woman in a hurry. She’s said to be “difficult”; above all, she’s a hard worker whose cutting intelligence has led her, in the space of a few years, to hold the reins of one of the finest Parisian museums. A heritage curator who directed the department of Islamic arts at the Louvre from 2009 to 2013, she has been president of the Musée National des Arts Asiatiques for four years now. As the new school year starts, making allusions to a “new impetus”, she outlines for us the major areas of her cultural policy.
Besanceuil, 14 March 2017
Jean-François Schmitt is an art-lover and collector. He is a Friend of the musée du Quai Branly – Jacques Chirac and a member of the Cercle Lévi-Strauss.
Anthony Meyer is a dealer, author, and specialist in Pacific and Eskimo ancient arts and traditional cultures. He manages the Meyer Gallery of Oceanic Arts in Paris and is one of the founders of the Bourgogne Tribal Show, along with Laurent Dodier, Bruno Frey, Jacques Lebrat and Bruno Mory.
For its second event, the Bourgogne Tribal Show will take place from 25th to 28th May, 2017. You both took part in the fair’s first event, one as a dealer, one as a collector. Could you share your experiences with us?
Jean-François Schmitt: My abiding memory of the first event is what a pleasure it was to see tribal art in less conventional settings. The atmosphere was very different from the other fairs, far more casual and convivial.
Its location in the Burgundy region was ideal too, [.../...]See more
Brussels, 20 January 2017
In Brussels this January, over four thousand years of art will be making their way to BRAFA. From archaeology to contemporary creation, this is not only a major European event, but a place to sound out the art market as a new year begins.
In January, after getting back from New Year’s Eve at Saint-Barthélemy, when nothing else seems to quite make the grade, not even a little omelette dotted with Alba white truffles, a quick dash to Brussels is just the thing! Why favour a Flemish destination, you might well ask? A yearning for the Belgian touch in the heart of winter? The timeless charm of the Place de Brouckère? Let’s put it this way: at the start of the year, the chicest rendezvous — one month after Art Basel on the coast of Florida in December, and shortly before the Armory Show in New York in March — is obviously BRAFA. Also known as the Brussels Art Fair, one of the oldest art and antiques fairs in the world. So much to say, the most stunning Brussels invention… just after the Délirium Café and its 3,000 beers.
**So let’s [.../...]See more
Paris, 9 January 2017
Majestic and beautiful looking twins, natives of Ishokun, Let me find means of eating, let me find means of drinking. Majestic and beautiful looking twins, come and give me the blessing of a child.
According to Yoruba legend, the ibeji—united and inseparable twins—were sent into the world by monkeys, whose knowledge of nature’s secrets surpassesthat of men. Regarded as sacred, they are venerated in a cult based on statuettes, the ere ibeji, which are commissioned from master sculptors by the families of the deceased twins. The eighty works from Benin and Nigeria presented in this book reflect the incredible stylistic diversity and beauty of these silent symbols of an ageold tradition—an eloquent expression of the creative potential of African art.
Geneva, 9 December 2016
Until 8 January 2017, the Musée d’Ethnographie de Genève is playing host to “Amazonia, The Shaman and the Mind of the Forest”. An ethnographic exhibition that can also be described as… a political act.
Amazonia remains a poor relative in the world of art exhibitions and ethnography. Preference goes to Pre-Columbian art, Mayan, Aztec or Incan cultures — all far more likely to get crowds through the doors. In recent years, exhibitions in Europe on Amazonia can be counted on the fingers of one hand — the British Museum in 2001, the Mona Bismarck Foundation in 2002 or the Grand Palais in 2005, to name the most important ones. “I want to stir things up, heuristically speaking,” exclaims Boris Wastiau, director of the Musée d’Ethnographie de Genève (MEG) and curator of the exhibition. “Amazonia, The Shaman and the Mind of the Forest” sets out to get things moving and offer reparation for an injustice.
What will we find at this exhibition in Geneva? An introduction to the region, which blends voices from the present day to those [.../...]See more
Paris, 3 November 2016
On 15 and 16 December, the auction house Millon, in collaboration with Christie’s, will be selling, at the Hôtel Drouot, a selection of pieces from Madeleine Meunier’s estate. The 15 December will feature nearly 80 African and Oceania art objects, and nearly 60 archaeological lots collected by Aristide Courtois and Charles Ratton, which have remained in the shadows for nearly half a century. The 16 December sale will be for furniture, silverware, jewellery and other objects belonging to Madeleine Meunier.
Standing Rock, 28 October 2016
Over 1,200 museum directors and curators, archaeologists, anthropologists, researchers and experts have signed a petition to stop the construction of a pipeline in Dakota on ancestral Amerindian land. Decorated in 2014 by the American Medal of Freedom, Suzan Shown Harjo, from the Cheyenne and Muscogee tribes, also declared that this pipeline “violated existing religious freedom, cultural rights, historic, environmental, and archaeological laws by failing to consult with the Standing Rock and other Sioux nations, and most recently by denying descendants access to the sacred place and enforcing the ban with attack dogs and other weapons (…). Native people and supporters urge official actions to stop this shameful project permanently.”
Paris, 24 October 2016
Several dates have been set for dispersing the tribal, modern and contemporary art collection of film director Claude Berri (1934 – 2009), comprising over 400 works, at Christie’s in Paris. During the 43rd edition of the FIAC, 80 lots of post-war and contemporary works were offered for sale, on 22 October. Artists represented included Wim Delvoye with his pigskin tattooed with Mickey et Minnie (2005), estimated at between €1 and 1.5 million, Jean Dubuffet with his ink work Paysage (1960), expected to fetch about €50,000, and Tatiana Trouvé with her Untitled (2005) charcoal drawing, estimated at between €10,000 and €15,000. A photograph sale is being organised on 12 November during the Paris Photo fair. The auction house has also set a sales session for tribal art, on 13 December.
New York, 18 October 2016
On 22 September, in New York, three dealers from the Metropolitan Fine Arts and Antiques gallery were arrested for the unauthorised sale of ivory pieces, paying no heed to a 2014 law to limit the ivory market. Representatives from the New York State Department of Environmental Conservation found in the gallery 126 objects valued at $4.5 million. The operation was initially devoted to the search for a $2,000 statuette sculpted from mammoth ivory.