The Auctions Database of Ancient Arts from Africa, Asia, Oceania and the Americas.
Paris, 6 September 2016
On the occasion of the Parcours des Mondes fair, young collector Inti Ligabue draws up a portrait of one of the broadest Italian art collections, ranging from prehistory to modern paintings via tribal art. An inventory.
*Inti Ligabue, thirty-five years old, was appointed honorary president of the 15th edition of the Parcours des Mondes fair. This year, the event is drawing to Paris 80 international galleries specialising in tribal and Asian arts, from 6 to 11 September. Inti is the son of Giancarlo Ligabue, who passed away in 2015, and who gained renown as an archaeologist, palaeontologist and collector, as well as a political figure and businessman at the head of Gruppo Ligabue, a hundred-year-old family business dealing in food freight and services, present on every continent. This eminent Italian public figure left behind an incomparable legacy, including an extraordinary art collection covering a few thousand years. To carry on this adventure, Inti Ligabue launched, in January [.../...]See more
London, 27 August 2016
Bryan Reeves has stood for a certain vision of tribal art and culture ever since he launched the Tribal Perspectives fair in 2007. Since then, the event has grown, changed its name and venue by moving into The Mall Galleries to become Tribal Art London. At the start of September, Art Media Agency with Artkhade went to London, winding through the fair’s alleys, to meet Bryan Reeves.
B. R.: I like introducing Tribal Art London as a cultural fair. Our exhibitors cover all fields of tribal art around the globe, and we have a well-developed conference programme, offering debates in fields as wide as culture or ethnography — the aim being to increase understanding of tribal art without contenting ourselves with merely being a strictly commercial fair. Today, the fair is heading to its ninth birthday. When we started, we were no more than a small exhibition with three dealers — “Tribal Perspectives”. We gradually developed the fair, then moved to a fantastic spot, [.../...]See more
Paris, 24 May 2016
Julie Arnoux is executive director of the Friends Society of the Musée du Quai Branly. For twelve years, she has been in charge of this association that supports the museum’s development and renown. Alongside this role, she set up, three years ago, Delvoyeurs. This project, shared with three founding partners, aims to design and promote exhibitions, develop editorial projects, produce contemporary artistic works, and support cultural players in their development strategies. Art Media Agency met her also to discuss the organisation of the Bourgogne Tribal Show (from 26 to 29th May).
J. A.: The Bourgogne Tribal Show comes from a fairly zany idea thought up by four dealers specialising in the so-called “primitive” arts: Laurent Dodier, Bruno Frey, Jacques Lebrat and Anthony Meyer. Their project was to set up a festive, convivial event in a different place. They [.../...]See more
Berlin, 8 April 2016
On 8 March 2016, the online sales platform Auctionata announced a Gross Merchandise Value of $90 million (€81 million) in 2015, in other words a 165 % leap marking its strengthened leadership in the online auction sector. The company envisages developing new sales formats and increasing broadcasting times for its auctions in 2016.
Auctionata, set up in Berlin in 2012, is based in Berlin, New York and London. The bulk of its turnover comes from Berlin (80%) while New York and London represent 20 % — the house is however strengthening its position in the United States. It ran 249 auctions in 2015. Its progress is attributed to the launch of new processes, allowing sales to be held from two or three different locations. Auctionata holds the online sale record for a 17th century porcelain vase sold for €875,000 ($951,000).
According to Alexander Zacke, chairman and founder of Auctionata: “With 200,000 customers from 199 countries and several distinct yet complementary livestream formats, [.../...]See more
Since the market crash in 2008, the term “bubble”, applied in an economic context, has become part of everyday vocabulary. The analogy of a market growing so big, like a bubble, filled with air only waiting to burst, is almost irresistibly charming. Economic bubbles happen all the time, all over the world.
The most discussed possible bubble in recent years has been the art market. Critics, ranging from economists, journalists to opinionated folk, claim that the art market is a bubble and that when it bursts, it will be ugly. Maybe this talk started exactly the same day the biggest bubble in almost a century started bursting: 15 September 2008. On this day, one of the biggest Wall Street firms, Lehmann Brothers, went bankrupt, signalling the real depth of the crisis the world was about to face. On the other side of the Atlantic, Sotheby’s held a one-man auction, with works from Damien Hirst only commissioned directly from the artist, raising £111 million. This is an almost unbelievable coincidence: one of the most controversial artists [.../...]See more
Besanceuil, 26 January 2016
From 26 to 29 May 2016, the first edition of the Bourgogne Tribal Show (Besanceuil, Saône and Loire) will be held.
The event is being organized by four French dealers specialized in tribal arts: Laurent Dodier, Bruno Frey, Jacques Lebrat and Anthony JP Meyer. The objective of the show? “To escape from the established events on tribal arts and to return to the pleasure of sharing, conviviality and exchange over art.”
Some twenty dealers are expected to attend the event. Among them, the Galerie Didier Claes (Brussels), Ben Hunter Tribal Art (London), the Galerie Ratton (Paris) and Galerie Alexis Renard (Paris).
Brussels, 22 January 2016
From 23 to 31 January 2016, the BRAFA- Brussels Art Fair- will welcome 137 galleries, including 20 new exhibitors.
Founded in 1956, BRAFA is one of the most prestigious art and antique fairs in Europe. The exhibition is installed in the enormous space of Tour & Taxis, and offers a variety of both antiquities and twenty-first century works including archeology, Primitive and pre-Columbian Art, Asian art, jewellery, ancient and modern paintings, contemporary art, sculpture, tapestries, comics and photography etc. With the support of the floral festival, Floralies of Ghent, Guest of Honour of this 61st edition, the canopies of Tour & Taxis will resemble a greenhouse, in which all the different artistic styles and eras will be mingled together.
At the BRAFA ART TALKS conference, museum curators, collectors, restorers and experts from the art market will share their knowledge and expertise. “The Brafa wants more than ever to maintain its eclecticism, mix its treasures, and demonstrate the richness of its blends. [.../...]See more
Paris, 7 January 2016
In 1990, the American professor Joseph Nye developed, in his book Bound to Lead: The Changing Nature of American Power, the idea of “soft power”. Used in the field of international relations, this concept describes the ability of a political actor to influence indirectly – by means of structural, cultural or ideological – and without coercion, the behaviour of other actors.
Twenty-five years later, Gail Dexter Lord -co-founder and co-president of Lord Cultural Resources– and Ngaire Blankenberg – senior consultant at Lord Cultural Resources -proposed an update of the concept of soft power, by operating in particular a displacement of its scope (Cities, Museums and Soft Power, The AAM Press, 2015). Art Media Agency met Gail Dexter Lord for more information.
Soft power means the will and ability to influence people and cause behaviour through peaceful and cultural means. It is opposed to hard power, more coercive.
Today, we think that it is [.../...]See more
Paris, 5 January 2016
Fraud, money laundering, trafficking in cultural property, tax optimization, artificial increases of prices, confidentiality and anonymity… many dangerous hurdles, attributed to the art market, that for many elude to rules that have become an imperative necessity. Among the scandals involving diverse spheres of personalities and perplexed records in auction sales, we can equally cite a loss in standardisation and harmonization in the legal international disposals and especially the specificities of a lost market by subjectivity – justifying an irregularity and exaggeration of prices. The whole thing is encircled by an opaqueness and rigour silence. So which solutions are implemented today, for more clarity on the market that condenses as many singular facts?
The unexplored darkness of the tired and shaking art market
The USA Today, after the success of the autumn sales in New York, headlined: “Has art become a criminal enterprise?” Soaring prices, sometimes verging on irrational, leaves some [.../...]See more
Paris, 30 November 2015
Surveying the tribal art market from 2000 to 2015, a recently released Artkhade and Art Analytics report revealed exceptionally positive results for the category, documenting a growing trend towards multi-million-dollar auction sales and the increasing domination of the market by high-end works.
The study amassed a wide range of data to document tribal art’s growth as a sale category—though it still lags far behind the dominant Modern, Post-War, and Contemporary art segments of the market. Here, we have selected seven key figures from the report’s pages to explore what they tell us about the future of this “niche” market.
The tribal art market witnessed record sales in 2014, achieving €92.1 million from works sold at auction. Demonstrating the upward trajectory of the market, this result well surpassed the €52.8 million sold just one year previous, in 2013, never mind the €13.7 million of tribal art sold in 2001.
The year 2006 stands out [.../...]See more